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You've selected:
Head Rush Harp
Sheetmusic to print
3 sheet music found
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1
Head Rush - Harp
Head Rush - Harp
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Concert band
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ADVANCED
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Jay Bocook
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Head Rush - Harp
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Hal Leonard - Digital
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SheetMusicPlus
Level 5 - SKU: HX.311996 Composed by Jay Bocook. This edition: scorch. Festival. 4 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (...
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Level 5 - SKU: HX.311996 Composed by Jay Bocook. This edition: scorch. Festival. 4 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.311996).
$7.50 ≈
7.00€
The Original Woodthrush. Song Without Words
The Original Woodthrush. Song Without Words
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Piano solo
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Crotchet and O'Neel
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The Original Woodthrush. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17459 Animals in human situations, Harps, Singers, Clothing & dress, Forests. Lester S. Levy Collection. 3 pages. Published by Johns Hop...
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Piano - SKU: LV.17459 Animals in human situations, Harps, Singers, Clothing & dress, Forests. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17459). The Original Woodthrush. Song Without Words. [marginal note Copied by Rossini and introduced in the Opera William Tell]. By Crotchet and O'Neel. Published [n.d.] by W.G. Metzerott, Music Depot in Washington, D.C. Composition of through-composed with piano instrumentation. Subject headings for this piece include Animals in human situations, Harps, Singers, Clothing & dress, Forests. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.59€
If Not Now, When?
If Not Now, When?
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Contemporary
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pa...
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00 ≈
23.33€
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1
Head Rush Harp
